story of chapter patol babu film star in 300 to 400 words

Personal Satisfaction vs. Financial Rewards in "Patol Babu, Film Star"

Summary: Personal satisfaction is more important than financial rewards, as depicted in Satyajit Ray's short story "Patol Babu, Film Star." The main character Patol Babu realized that personal satisfaction could not be measured and weighed by money, and so he acted in the film out of passion he felt toward the job more than because of the money he would make from the job.

In Patol Babu Film Star, Satyajit Ray has highlighted the idea that personal satisfaction is more important than financial rewards. According to him, one does a job because he is interested in it rather than because he can get reward from it.

In the story Patol Babu was given only a minor role in the film, as a pedestrian who was only needed to collide into the main actor Chancal Kumar and uttered a monosyllable sound "oh." Nevertheless, his passion to the job drove him to work hard to give the best performance by rehearsing himself. Eventually, he had done a terrific job and received praises from Chancal Kumar, "You timed it so well that I nearly passed out." and Barren Mullick "Jolly good! Why, you're quite an actor!" He felt very pleased with his performance and "a total satisfaction swept over him." He thought that it did not matter whether he received any payment or not. "What were twenty rupees when measured against the intense satisfaction of a small job done with perfection and dedication?" Thus, he did not wait to collect his payment.

Patol Babu realized that personal satisfaction could not be measured and weighed by money. To him, personal satisfaction is more crucial than material rewards. Ever since the beginning, Patol Babu did not act in the film because of the money merely. In contrast, it was because of his passion towards the job that drove him to act in the film. "I'll be paid, of course, but that's not the main thing." He also knew that nobody would appreciate his performance as he is only a minor actor in the film. Even though Baren Mullick praised him, he would soon forget about it. "But all his labour and imagination he had put into this one shot--were these people able to appreciate that?" However, Patol Babu thought that his own satisfaction was more salient. He had proven his ability and talent in acting and these worked as a sort of motivation to him.

In the nutshell, personal satisfaction was more important than financial rewards and this idea work as one of the main issue in the story.i hope it helps u :)

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This story depicts the dreams and aspirations of smalltimers and the apathy of film people for whom making films is a business. Patol Babu was a middle aged man of about fifty years with a bald head. His neighbour Nishikanta Ghosh informed him that his brother-in-law Naresh Dutt, a film producer, was looking around for an actor for a scene in a film, with looks like that of Patol Babu. Patol Babu was so excited to hear this news that in his excitement, he made the wrong purchases in the vegetable market. Patol Babu remembered fondly that he always had a great passion for the stage and in his youth he had acted in many ‘Jatras’. Indeed there was a time when people bought tickets especially to see him.

It was in the year 1934, when he lived in Kanchrapara and worked as a clerk with Hudson and Kimberley. He had thought of floating his own theatrical club but he lost his job. Ever since Patol Babu had to struggle a lot to make a living. He worked in a Bengali film, worked as an insurance salesman but nothing lasted. He paid regular visits to various offices for jobs but nothing worked. He still remembered some of the dialogues of
the plays he had acted in.

A new offer to work in films sparked his interest. Naresh Dutt duly arrived and told Patol Babu to report at Faraday House, next morning. On enquiry, Naresh Dutt told Patol Babu that it was a speaking role and he had to play an absent-minded pedestrian. Patol Babu was extremely happy and confided to his wife that he was aware that it wasn’t a big role, but one rose from small roles only and this might prove to be the beginning of a
great career. His wife expressed her reservation but Patol Babu was in no mood to listen.

Next morning, Patol Babu reported on time at Faraday Building. He saw a big crowd with instruments and cameras being shifted here and there. He was instructed by Naresh Dutt to wait for his turn. Patol Babu was quite nervous since he had no idea about his dialogues and he didn’t want to make a spectacle of him self in front of the lead actors. In the meantime, the shooting of the movie started and one scene was shot. Patol Babu couldn’t wait any longer. He went to Naresh Dutt and asked for his dialogues. On glancing at the paper, Patol Babu was really depressed, since he was required to speak just one word ‘Oh!’ Patol Babu was supposed to act like an absentminded pedestrian and collide with the lead actor,
Chanchal Kumar, utter ‘Oh’ and resume walking. He was instructed to go and wait on one side. Patol Babu felt humiliated and let down. He felt the entire Sunday was lost in false anticipation of a good role. A faint memory stirred his mind. He remembered his mentor, Gagon Pakrashi’s advice that as an artist one must make the most of one’s opportunity, whatever it might be. This thought drove away his depression and he started rehearsing all kinds of exclamations ‘Oh’s’ that could be given at different occasions.

Finally Patol Babu was called after an hour. Patol Babu suggested to the director that the scene would look more realistic, if the collision took place, while he had his eyes on the newspaper. A newspaper was immediately arranged. The director suggested that a moustache on Patol Babu would really look more interesting. A moustache was stuck on his face. During the shot, Patol Babu packed in his best effort mixing 25 parts of anguish and 25 parts of surprise, in a single ‘‘Oh!’’ Everyone around praised Patol Babu’s acting skills and he went back satisfied near the paan shop. Patol Babu was tremendously pleased and felt that his acting skills were not blurred even after so many years. But now he felt dejected because there was no one who had appreciated his dedication. For the film-people it was a moment’s work and next minute they had promptly forgotten about that. He knew he would be paid, it would be a very small amount and he did need money very badly. But could twenty rupees measure against the intense satisfaction of doing a job perfectly. Ten minutes later Naresh Dutt was surprised to find Patol Babu missing, without collecting his remuneration. Next minute, all that was forgotten and the camera started rolling for another shot.

Patol Babu was a middle aged man of about fifty years with a bald head. His neighbour Nishikanta Ghosh informed him that his brother-in-law Naresh Dutt, a film producer, was looking around for an actor for a scene in a film, with looks like that of Patol Babu. Patol Babu was so excited to hear this news that in his excitement, he made the wrong purchases in the vegetable market. Patol Babu remembered fondly that he always had a great passion for the stage and in his youth he had acted in many ?Jatras?. Indeed there was a time when people bought tickets especially to see him.

It was in the year 1934, when he lived in Kanchrapara and worked as a clerk with Hudson and Kimberley. He had thought of floating his own theatrical club but he lost his job. Ever since Patol Babu had to struggle a lot to make a living. He worked in a Bengali film, worked as an insurance salesman but nothing lasted. He paid regular visits to various offices for jobs but nothing worked. He still remembered some of the dialogues of
the plays he had acted in.

A new offer to work in films sparked his interest. Naresh Dutt duly arrived and told Patol Babu to report at Faraday House, next morning. On enquiry, Naresh Dutt told Patol Babu that it was a speaking role and he had to play an absent-minded pedestrian. Patol Babu was extremely happy and confided to his wife that he was aware that it wasn?t a big role, but one rose from small roles only and this might prove to be the beginning of a
great career. His wife expressed her reservation but Patol Babu was in no mood to listen.

?

Next morning, Patol Babu reported on time at Faraday Building. He saw a big crowd with instruments and cameras being shifted here and there. He was instructed by Naresh Dutt to wait for his turn. Patol Babu was quite nervous since he had no idea about his dialogues and he didn?t want to make a spectacle of him self in front of the lead actors. In the meantime, the shooting of the movie started and one scene was shot. Patol Babu couldn?t wait any longer. He went to Naresh Dutt and asked for his dialogues. On glancing at the paper, Patol Babu was really depressed, since he was required to speak just one word ?Oh!? Patol Babu was supposed to act like an absentminded pedestrian and collide with the lead actor,
Chanchal Kumar, utter ?Oh? and resume walking. He was instructed to go and wait on one side. Patol Babu felt humiliated and let down. He felt the entire Sunday was lost in false anticipation of a good role. A faint memory stirred his mind. He remembered his mentor, Gagon Pakrashi?s advice that as an artist one must make the most of one?s opportunity, whatever it might be. This thought drove away his depression and he started rehearsing all kinds of exclamations ?Oh?s? that could be given at different occasions.

Finally Patol Babu was called after an hour. Patol Babu suggested to the director that the scene would look more realistic, if the collision took place, while he had his eyes on the newspaper. A newspaper was immediately arranged. The director suggested that a moustache on Patol Babu would really look more interesting. A moustache was stuck on his face. During the shot, Patol Babu packed in his best effort mixing 25 parts of anguish and 25 parts of surprise, in a single ??Oh!?? Everyone around praised Patol Babu?s acting skills and he went back satisfied near the paan shop. Patol Babu was tremendously pleased and felt that his acting skills were not blurred even after so many years. But now he felt dejected because there was no one who had appreciated his dedication. For the film-people it was a moment?s work and next minute they had promptly forgotten about that. He knew he would be paid, it would be a very small amount and he did need money very badly. But could twenty rupees measure against the intense satisfaction of doing a job perfectly. Ten minutes later Naresh Dutt was surprised to find Patol Babu missing, without collecting his remuneration. Next minute, all that was forgotten and the camera started rolling for another shot.

PatolBabu lives a life of resignation and isolation in Nepal Bhattacharji Lane, fighting hard for existence.
One morning he is informed by his neighbourNishikanto Ghosh to make up his mind for a film role to be offered by his brother-in –law, Naresh Dutt, on behalf of a film production house in which he works.
PatolBabu feels both nervous and excited at the prospect of playing role in a movie which he has never attempted in his life even though he had worked as stage artist during his younger days.
The prospect of playing a movie role makes him nostalgic and he goes down the memory lanes and recalls his past life.
He remembers of his past when he had shifted from Kanchrapara to Calcutta in 1934 to join Hudson & Kimberley where he had worked smoothly till 1943. He also remembers the fact that he had lost his job in the company because of sudden retrenchment due to world war. Since then his life has become challenging and he has to struggle for survival.
The present offer of the role reminds him of his theatre days when he was appreciated and acknowledged as a legendary stage actor but he hasn’t acted for many years which makes him feel a bit apprehensive of accepting the present offer.
Finally he agrees to work in the movie when a formal offer is made to him by Naresh Dutt, who also gives him a brief idea of the role- the role of a pedestrian.
Excited PatolBabu shares the breaking news to his wife who shows no sense of excitement and even blames him to be a day dreamer.
On the next day PatolBabu reaches the shooting site – Faraday House, and gets the first hand feel of film shooting and gets the detail of others associated with movie- the hero of the movie, the director etc. but he is more curious about his scene and role.
After many requests, he is detailed about his scene and dialogue, which make him feel humiliated. He feels himself to be cheated as he comes to know that his dialogue is merely a single word – ‘Oh’.
Sosanko, the person who tells him about his dialogue, tries to convince him by claiming that his role is very significant as per the scene and situation in the film but PatolBaburemains undeterred. He makes up his mind to leave the place but at this very moment he is reminded of his acting mentor &guruGogonPakarshi and his preaching that no role is big or small. The actor makes a role the way he sees it.
Now, he gets convinced of his role and then he puts his best effort to make his role and performance a memorable one. He works upon his expression, body language, accent etc. so that the scene becomes a perfect one. He rehearses his dialogue many a time to meet with the required expression as per the scene.
Finally, he performs his scene/role with precision and gets appreciation from all.
After performing his role with satisfaction, he does something very unusual which surprises everyone. He decides to leave the place without getting paid as he believes that his performance and satisfaction can’t be valued in monetary term as these are invaluable.
And thus he proves himself to be a real film star.