article on love faith and trust on the basis of two gentelman of veroma

Write an article importance of love,faith and trust
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Article on love ,faith and trust from two young boys of verona

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2 gentlemen of Verona is the true example of help others before yourself... And shows that gentlemen are not the ones who are called so from birth but the ones who show the true qualities of gentlemen. Like the 2 boys in the context..
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I had never expected to find such a treasure of love in Verona. Though I had gone to that historical city with an intention of a tourist, I must admit I found much more than my expectations! I was fortunate to have come across Nicola and Jacopo, the two very young brothers, whom I would compare to epitomes of selfless-love, have been slogging day and night to pay for the medical expenses of their elder sister, Lucia. I was stunned to know their maturity; their patience; their pride in themselves!?


I had begun to lose hope in humankind. But ever since I have seen the service, dedication of those two little angels, I am again hopeful of humankind. ?If the world had such more little angels living in all its parts, this earth would soon be transformed into paradise! My prayers rise unceasingly for the two angels for whom I could not do much. God speed their endeavours
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IT DOESN’T TAKE YEARS TO GAIN MATURITY Tragedies and adversities either bring out the best, or the worst, among people. They prove to be great testing times which end up in glory or disaster. The bitter and indomitable struggle of Nicola and Jacopo, amidst the ravages of war, takes on epic proportions. The two young boys depict great maturity, wisdom and faith in the invincibility of human spirit. The die-hard nature of two boys changes the nature of people around them, with their vibrant spark of humanity. The two boys not only create a home to survive from the rubble, but pitch in their best efforts to sustain their sister Lucia. Their intrinsic vitality encourages them to take up any work that is available i.e. shining shoes, selling newspapers and fruits or escorting the tourists for sightseeing. They don’t mind eating black bread or figs, or wearing torn clothes because they’re single-mindedly focused on their sister’s treatment. The boys resort to any kind of emotional blackmail or charity to provide for their sister. Their dignity and perseverance show their extreme faith in their own ability to cater to their sister’s medical treatment. So, the relentless struggle of two boys offers a kaleidoscopic view of love, tenderness, wisdom and trust, which even a catastrophic war failed to crush.
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Article on love faith and trust on the basis of two gentlemen of verona.

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The story tells us about the determination of the two boys instead of the fact that they are of 13 and 12 years they are doing all kinds of work to cure their sister. The story leave us with a social message that determination and will power to Do something can make a person successfull in life even if they are small old or any condition
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The boys in the story were willing workers as they did many works to get money for the treatment of their sister.The boys were hard working ,dedicated and sincere .Whether they sold wild strawberries or American cigarettes or did any other work,tjey did it willingly.So ,we can say that the boys were willing workers.
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Why did jacopo and Nicola lead a miserable life despite of earning good money?
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How did the nurse react at the questions asked by the author?
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Two Gentlemen of Verona?doesn't appear to have much merit. The plot is unlikely, even for a comedy; the motivations of the characters ? Proteus, in particular ? are so mercurial that an audience finds them hard to accept; and, finally, the ending seems absurdly unexpected, not so much through design, it seems, as through a desire to have done with the plot in a conventional and "satisfactorily" happy manner. Several Shakespearean critics take Shakespeare to task for his "uncertainty of metrical expression," but this matter seems to deal more with Shakespeare's poetics than with his sense of drama and comedy.

On the surface, the plot of this play seems promising, particularly at the beginning: a young man, Valentine, sets out in the world to seek his fortune and to find true love; meanwhile, his best friend, Proteus, remains at home to accomplish the same things. Very soon, however, this premise turns sour. The adventuresome young man falls immediately in love with a woman whom he can never wed because her father has promised her to another suitor. This is standard fare, and it could furnish both bittersweet romance and comedy, particularly if the lovers tried unsuccessfully to rendezvous a number of times. But the play begins seriously to wane as a comedy when Shakespeare metamorphoses the adventuresome young man's best friend, Proteus, into a villain. Originally, one supposes, Shakespeare was interested in the comic possibilities of the many things that might go awry when best friends fall in love with the same woman. This premise is sound. Shakespeare's play, however, fails to amuse us as soon as Proteus eagerly denounces his best friend, an act which results in Valentine's banishment ? on threat of death. Moreover, Proteus was once deeply in love, we were led to believe, with Julia. However, when he sets eyes on the beautiful Silvia, he forgets about Julia entirely. Then, at the play's end, we are supposed to forgive this fraudulent cheat and be happy when he realizes that he really does love Julia, a young woman who has somehow managed to remain in love with him all this time.

The beautiful Silvia is not the real stuff of light comedy. Faithlessness, unscrupulous behavior, and fraud make poor comic fare. Then, there is also the business of the banished Valentine being forced, as it were, to play Robin Hood to a band of ill-organized forest brigands.

The critic Quiller-Couch is absolutely convinced that Shakespeare was not responsible for writing the play's ending with a sudden double wedding in the offing. His arguments are convincing. Surely Shakespeare realized that he had created a villain in Proteus; after all, he renounces his best friend, Valentine, and his (allegedly) beloved Julia, and he tries to force Silvia to marry him. In contrast, oddly enough, Shakespeare was wholly successful in his Sonnets (written approximately the same time as this play) when he dealt with the vagaries and the complexities of love and friendship. But in the Sonnets, Shakespeare was being serious. His intent here is quite different; he wants to explore playfully both themes and present their comic aspects. To a large degree, Shakespeare fails; one laughs, but neither with gusto nor joy.

Perhaps the value of this play lies most in Shakespeare's first versions of characters who appear later in his more mature plays. Silvia's having to deal with a suitor whom she does not love and whom her father forces upon her foreshadows Juliet's distress; likewise, Valentine's banishment parallels Romeo's ? but those two lovers were key characters in a tragedy. The comic Launce in?Two Gentlemen?prefigures Launcelot Gobbo(The Merchant of Venice),?and Julia's disguising herself as a man in a dramatic convention that Shakespeare will later use with Portia, Nerissa, and Jessica (all inThe Merchant of Venice), as well as with Rosalind?(As You Like It)?and Viola(Twelfth Night). The Two Gentlemen of Verona?is, then, ultimately less of a successful comedy than it is an apprentice piece, containing the blueprints for later, more well-rounded characters. Most of all, the mastery which Shakespeare achieves in just a few years, when compared to his handling of this play, helps us to measure his genius.
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