WHAT IS THE MAIN MOTIVE OR CONCLUSION OF THE CHAPTER "LANDSCAPE OF THE SOUL"?

Landscape of the soul is a chapter which talks about the illusionistic paintings which painters made, decreasing the difference between what was real and what was illusionary. This chapter also explains that  Chinese art from where a Chinese painter wants you to enter his mind rather than borrow his eyes. This is a physical as well as a mental participation. It is a landscape created by the artist to travel up and down, and back again, through the viewer’s eyes. The landscape is not `real’ and can be reached from any point.