In my english holiday H.W i have to write two film review so i should write for which movie.pls give the name of movie.

i think u should write a review of a decent film which may be a documentary or a film having a proper message to a present problem to all the citizens

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--->Baahubali 2 Review : This part is more prequel than sequel because initially the story traces the origins of Baahubali’s father, who was originally meant to be the King of Mahishmati. It also delves on the love-story between Amarendra and Devasena(Anushka Shetty), who is mother of Mahendra Baahubali(Prabhas in a dual role.) Recounted in the folklore-meets-Aesop’s fable-style, the plot is simple and carries the good triumphs over evil thought forward just like the first part did. Albeit with some childish conspiracy theories added in. Of course, the end comes together in a long-drawn climax that could have been 10-minutes shorter.But don’t judge Baahubali. Just savour it. It is a visual extravaganza that India must feast on.Part 2-The Conclusion onerously carries the equity of the first part on its shoulder and ups the scale on many counts—especially in heroism. Baahubali has been sketched out as such a symbol of strength and power that he makes you root for him throughout. Prabhas is terrific as father and son. What’s more, this part provides an answer to a question uppermost in everyone’s mind for the last two years—it tells you why Katappa, the old faithful, killed Baahubali Senior.Indian cinephiles must salute Rajamouli for his vision and ambition. He once again gives us our Benhur and Ten Commandments experience rolled into one. Of course it is CGI and VFX that grab you in your seat, but Baahubali also takes you on an emotional rollercoaster ride. The romance between Devasena and Amarendra has the Titanic fervour. While the performances of the lead cast are all believable, it is Peter Hein’s action—with Baahubali doing the Van Damme split and some sweeps that set your spirits soaring.
---->Dangal Review :In the story department, Dangal offers few surprises because Geeta and Babita's historic wins at the Commonwealth Games and following championships are common knowledge. However, this screen adaptation serves as a recap of their arduous journey and it vigorously recaptures their stubborn father's resolve to make them professional wrestlers against the odds. Since it encapsulates the historic wins of the Phogats, who brought India glory, the film is also bound to inspire more women to seriously consider kushti as a sport.What works wonderfully here is the writing. Director Nitesh Tiwari, along with Piyush Gupta, Shreyas Jain and Nikhil Mehrotra should be complimented for their tongue-in-cheek quality, peppered with humour and several poignant father-daughter emotions all through. Of course, a little bit is lost in translation because of the Haryanvi twang. But, messages on our obsession with the male child (prevalent since the dark ages), myopic stand on bringing up our daughters and the administration’s pathetic disposition towards sports, are loud and clear.It is to the film’s credit that though Geeta and Babita’s wins are documented, it still manages to engage the viewer with the wrestling tournaments and bring patriotic emotions to the fore. Most importantly, Dangal scores with its first-rate performances. An ungainly Aamir (22 kilos heavier) with grey hair is pitch-perfect as the ziddi yet sensitive parent. The 51-year-old actor should be complimented for experimenting with his roles, unlike his contemporaries who prefer to play safe. Sakshi as his wife, is restrained, yet effective. And, the debutants Fatima and Sanya are easily this year’s best finds.Music director Pritam and lyricist Amitabh Bhattacharya manage an earthy soundtrack with Daler Mehndi’s title track pumping up the adrenaline. Also, the soft track Gilheriyaan, the Haryanvi rap and hip-hop Haanikarak Bapu and the Dhakaad number, are in perfect tandem with the narrative.